Artists:

·       Jojo Spook ·       Zoe Klochowicz ·       Cameron Potts ·       Anna Couper ·       Sandra DuMont ·       Kim Bellette ·       Tatiana Georgieva ·       Romina Ienco ·       Annie Cousins ·       Lorry Wedding-Marchioro ·       Wenjuan Yang ·       Bundy Bannerman ·       Andrew Moseley ·       Ashleigh Anne Bruza ·       Jessica Curtis ·       Althea Mallee ·       Emma Moss ·       Rhys Sheperd ·       Adrian Mitton ·       Matt Zonca

·       Dianne Carver ·       Rebecca Calabro ·       Irina Mirosnitsenko ·       Kirstie McGregor ·       Andrew Barr ·       Monika Andrew Poray ·       Haythem Raslan ·       Janet Golder Kngwarreye ·       Audrey Brumby ·       Delores Henry ·       Marceena Jack ·       Iniji Windless ·       Ebony & Ivory Creations (Donna McHughes &Donna McHughes) ·       Scared Resonance (Darren Curtis & Bradley Pitt) ·       Project SuperNature (Kenneth Scott & Bradley Pitt)

Artist Statements & About the Artists

In the numerological order of the artists as they appear in the exhibition catalogue:

 

Irina Mirosnitsenko

 

1 Fragments of Infinity Mixed media $ 270.00

2 The Silent Singularity Mixed media $ 270.00

3 Whisper of the Planets Mixed media $ 250.00

4 Etheric Pulse Mixed media $ 250.00

Step into the silent expanse where light and shadow dance on the edge of the unknown. Explores the mysterious beauty of the cosmos and take a journey beyond our world into a realm of flickering stardust and silent cosmic storms.

Imagine alternate realities, where the boundaries between science and spiritual wonder dissolve into vibrant, otherworldly landscapes. And maybe consider the question – how the mystery of space shapes our place within the universe.

About Irina Mirosnitsenko: I was born in Tallinn (Estonia), the fabulous medieval city on Baltic Sea. I was surrounded by ancient fortresses, narrow streets, mysterious old buildings, and gothic churches. It seemed, that fairy-tales and ghosts were still living in the Old Tallinn…. My hometown and other parts of medieval Europe have been favourite subject of my artworks.

When I settled in Australia I fell in love with this beautiful land, which inspired me to create and find new ideas and experiments. I like to explore new themes of paintings using new technic and materials. For my paintings I use deep colours of acrylic, free style, and mixture of reality, my imagination and hints of fairy-tales.

Kim Bellette

 

6 Twin Flames Mt Gambier Limestone stand $ 1,270.00

9 The Tree of Light Mt Gambier Limestone base, Manicured Tree, Artificial Jewels $ 750.00

Twin Flames When a Soul is split in two, a healing is needed for growth, the path is not always without pain and

resilience, for two must return as the One.

The Tree of Light A symbol of Unity between Humanity and Nature. Throughout the History of Humanity, the reliance on Nature has never been as symbolic as the relationship between Humanity and the Tree, for shelter, warmth, structural material, and the very air we breathe. Early Mankind respected this, early Mankind lived sustainably because his survival depended on the link with Nature…modern Man is losing this connection.

About Kim Bellette: Kim has spent an entire lifetime involved in and around the Art’s and Antique interests, working professionally in Adelaide for over 35 years. He was taught the Art of Woodcarving/Sculpting by his Grandfather Rollo Haskard, himself a second-generation Woodcarver/Sculptor and Master Craftsman with additional skills as a wood turner and Landscape painter.  Kim’s interest started as a child designing and constructing items and watching his grandfather’s pieces take shape in his Prospect workshop. Kim has also studied Commercial Art and Industrial Design and even taught Woodcarving at TAFE part time for a short period, also using Art as a Modality with a Diploma in both Art Therapy and Counselling. Kim also teaches Limestone Sculpture at the Centre for Rare Arts and Forgotten Trades Ballarat Vic.

Being a sixth generation Australian, and having spent his developing years within the Mitcham Hills, has forged respect for the connection between man and nature. A belief in the need to nurture and develop the Ancient traditions of creating in wood and associated materials has driven him to strive for perfection in design and technique, and sees his role as an Artist to use the original beauty of nature, not only to extend it to a more permanent object of inspirational beauty and pleasure, but also to express the fragility of the source of this beauty and its vulnerabilities to humanity.

Kim’s projects have ranged from a Cedar of Lebanon pendant to busts, figures, a Church Reredos wall of carving, with various other Church, Cathedral and Ecclesiastical works. His favourite subjects are Native bird life and the morals behind the stories of Classical Mythology. His passion also extends to Clay, Terracotta, Plaster and Limestone Sculptures, both Classical and Abstract themes, from coffee table size to Landscape, with the stone itself communicating the form it wishes to take. Forest waste is a paradox with even the smallest of pieces transformed into art, and the resonance of millennium life forms exude from his Limestone pieces.

Janet Golder

 

7 Medicine Leaves Autumn Acrylic on canvas $ 1,450.00 (As an aerial view, it is strung to hang vertically or horizontally)

Living off the land in remote communities, women will go out together to collect seasonal foods and medicines. Western medicine is familiar with benefits of eucalypts and lemon myrtles, and the bush is full of medicinal plants. After gathering the women process the plants, stripping the leaves, separating flowers, barks and roots they have collected. These may for example, be crushed into a powder and mixed with animal fats for balms or added to water for steaming. Harvesting is a happy time when the Elder women pass down their knowledge to the younger ones, as done from the beginning of time.

 

 

About Janet Golder: Janet Golder Kngwarreye is an Alyawarre artist who comes from the prominent artistic Kngwarreye

family. Janet is the great granddaughter of perhaps the most acclaimed Aboriginal artist, Emily Kame Kngwarreye (deceased), and is also the granddaughter of highly regarded painter, Polly Ngale. Janet’s country is around Boundary Bore, in the Aboriginal homelands region of Utopia, a few hundred kilometres north-east from Mparntwe (Alice Springs).

Audrey Brumby

 

8 Medicine Leaves Spring Acrylic on canvas $ 790.00

In Aboriginal culture, the women gather, the men hunt, and food is shared across the community. Women go on gathering trips together to collect seasonal wild foods and bush medicines.

The Bush Medicine Leaves Dreaming is a significant Dreaming for women. They celebrate by dancing and paying homage to the spirit of the Bush Medicine in their ceremonies to ensure perpetual germination.

As a Dreaming, or Tjukurpa, this is a teaching with no written language. Knowledge of where and when to find bush foods and medicines is still handed down from Elder to younger.

About Audrey Brumby: Audrey (born 1967) was born in Pukatja (formerly Ernabella) on the APY Lands and was a school teacher there for many years. The Brumby family are Anangu from “The Lands” and speak the Pitjantjatjara language. Audrey has been part of the Ernabella Art Collective and can remember when they were taught batik techniques in the 1980’s as part of a cultural exchange. Audrey now resides in Adelaide.

Audrey has been a productive and passionate painter and has displayed work at Tandanya and has a major works installed at the AEU building (SA), Australian Taxation Office (SA), the Adelaide Hilton (in 2017) and in 2014 the historic Brookman Hall, University of SA, Adelaide. Audrey actively works as a Pitjantjatjara translator and has also illustrated a series of children's books written in both English and Pitjantjatjara language. Her work reflects Tjukurpa (dreaming),

country-flora, travel through the Anangu Pitjantjatjara Yankunytjatjara Lands and gathering of bush tucker and medicines.

Jessica Curtis

Splendor curator & artist

 

10 Immaculate Heart Plant Songs Mixed media on canvas $ 3,333.00

50 Living Waters Ceramics & copper $111 each

57 Ascending Swallows Mixed media on canvas $ 777.00

58 Flock of Swallows Mixed media on canvas $ 888.00

59 Spiral Unfoldment of Creation Mixed media on canvas $ 3,333.00

62 1000 Petal Lotus Eye of the Divine Mother Mixed media on canvas $ 3,333.00

67 Whale Song Mixed media on canvas $ 3,333.00

 

Art blurbs at front counter or contact Jessica 0414770289 for extended blurb about the art.

About Jessica Curtis: Jessica Curtis (In Search of the Divine) engages in creative projects & collaborations that bring the spiritual & scientific together; inspiring a higher dialogue on the themes pondered by the great mystical traditions of the Earth which looked to the stars as home.

Jessica works in a series of mediums & forms including painting, sculpture, drawing, textile art, animation, video art, illustration, design & curating. Jessica has work in collections in Australia, Europe, UK, USA, South Africa, Mauritius and the Asia Pacific region. She actively take part in multiple arts festivals and has produced award winning projects. She specialises in curating, producing and directing creative events the aim to being a transformative and uplifting experience of the Spirit.

Core to her art practice, Jessica Curtis, uses art as a transformative vehicle to assist in the reorientation of consciousness to a multi-dimensional perspective. Thus, creating a point of reference to unveil the divine template behind these times of great transition and transformation unfolding on Earth; ultimately fostering a spark of recognition of the ‘Divine Within’ and an understanding of humanities deep connection to the cosmos.

 

Delores (Dolly) Henry

 

11 Pukumani Totem Poles Acrylic on canvas $ 990.00

About Delores Henry& the art: Dreamings are our ancestors, no matter if they are the wind and rain, flowers and plants, fire and the sun, animals from land and sea, mud, oche and the stone. It was these dreamings that made our Lore, where we have ceremonies and songs and they have skin groups who are related to them.

I have been painting a mix of traditional and contemporary Tiwi style art. My work is of country where I grew up, the changes within our seasons, and behind every piece are inspiring stories that is unique to my culture. I have used my creativity to help me through the most stressful times of my long-term disability and being so far away from my family home community, Art can also help heal personal mental health and wellbeing.

I still value my ancestral past and acknowledge my people proudly. I love to share my knowledge, passion and dream time stories that I still practice today, it has helped me to keep my culture strong and alive while living so far away from home and country. I strongly believe that Art is important to us all… it inspires Love, Compassion, and other feelings. Art is Education, a sense of Identity through Storylines, Dreaming and through Ceremony.

Anna Couper

 

12 Cosmos Ceramics & Glaze $ 230.00

25 Steps Ceramics, glaze and luster $ 185.00

37 Trio of Monoprint Vessels Ceramics, glaze and luster $ 300.00

43 Tree of Life – platter Ceramics & glaze $ 185.00

44 Orbit Ties Ceramics & glaze $ 180.00

About Anna Couper: Anna Couper, a ceramic artist based in South Australia. I have always been drawn to the tactile nature of ceramics, the way it can be moulded and shaped to create something new and unique. Through the medium, I have created pieces that capture the essence of life, from delicate flowers to whimsical creatures.My work is inspired by the celestial world, reflecting the beauty and mystery of the endless possibilities of ceramics, constantly pushing myself to create something fresh and exciting.

                       

Kirstie McGregor

 

13 A Gentle Moment Acrylic on wood $ 350.00

14 A Simple Moment Acrylic on wood $ 350.00

15 A Quiet Moment Acrylic on wood $ 350.00

16 A Beautiful Moment Acrylic on wood $ 350.00

I see beauty everywhere I look and it feeds me.  From the simplest things like the sun rising to the complex patterns formed on the leaves, nature is beautiful. Inspired by observations of my local surroundings and my research into different aspects of the environment, I like to capture the moments that are often overlooked, unveiling the beauty I see every day and presenting it in a way that invites the viewer in to feel the same sense of awe that I do.

About Kirstie McGregor: Nature has always inspired my work. Ever since I was a kid I have felt a strong connection to the environment. I see beauty everywhere I look and it feeds me. From the simplest things like the sun rising to the complex patterns formed on the leaves, nature is beautiful. Inspired by observations of my local surroundings and my research into different aspects of the environment, I like to capture the moments that are often overlooked, unveiling the beauty I see every day and presenting it in a way that invites the viewer in to feel the same sense of awe that I do. My current passion is creating handmade books using mixed media, such as watercolour, gelli prints of foraged leaves and pen, to capture the stories of nature and working on wood capturing moments from nature in acrylic paint.

Kirstie McGregor is a visual artist local to the Fleurieu Peninsula. After graduating from Adelaide College of the Arts in 2010, Kirstie has been involved in a number of exhibitions across the state including the Helpmann Academy Graduate exhibition in 2011, numerous solo and group SALA exhibitions and a regular solo exhibition at the Port Noarlunga Arts Centre. In 2015 she was also a finalist in the SALA awards category, Young Emerging Artist. Kirstie enjoys sharing her passion for art with others and teaches art at a Community Art Studio in Hackham (Artworks Community Art Studio) as well as teach small workshops at a variety of locations. Kirstie’s passion for all things painting means she creates works in a variety of mediums mainly watercolour and Acrylic.

 

Haythem Raslan

 

17 Synchronised Connection Acrylic on Canvas $ 1,111.00

63 Flow Mixed Medium on Canvas $ 2,222.00

This collection by Haythem Raslan emerged from a meditative concept of flow and connection. An act of surrender rather than control. The process became a spiritual immersion, mirroring the rhythmic flow of nature itself.Each movement of colour was guided by intuition, echoing the quiet pulse of oceans, rivers, lakes and unseen currents that connect all living things.

The blending hues evoke depth and clarity, inviting the viewer into a realm where inner stillness meets boundless motion. Creating this work became a transcendental experience, a moment of alignment between breath, body, and the elemental force of source. In this state of consciousness, time dissolved and the painting transformed into a vessel for reflection, renewal, and wonder for nature’s infinite wisdom. Dive into the artistic realm of Haythem Raslan’s interpretation of ‘Splendor’, the transcendental experience of nature.

 

About Haythem Raslan:

Haythem Raslan is a South Australian Artist, best known for his stunning intuitive artwork and unique personalised paintings. He has a collection of contemporary, nature, modern, spiritual and seascape wonders. His famous butterfly painting titled the “Circle of Harmony” has become his signature painting. A beautiful representation of the world’s flags in butterfly form, prompting peace, love and unity worldwide.

Haythem started his artistic journey over 14 years ago, after suffering with anxiety and a major eye injury. He found his calling and soul’s purpose healing through his artistic expressions. Since then Haythem has held many wonderful exhibitions throughout the years, including South Australia’s SALA festival, as well as international and interstate exhibitions in Melbourne, Sydney and Tokyo- Japan.

Tatiana Georgieva

 

18 Coastal no. 66 Acrylic on canvas $ 550.00

77 Sublime bloom: the Intelligence of Nature Acrylic on canvas $ 2,600.00

81 Bloom no.21 Acrylic on canvas $ 550.00

Coastal no.66 distils the coastal landscape into layers of softened colour and motion, where sea, sky, and land dissolve into one another. Through this gentle abstraction, nature is sublimated—no longer described, but felt as a quiet and calm emotional resonance rather than a literal place.

Sublime bloom: the Intelligence of Nature & Bloom no.2 Both works embody a cosmic unfolding of nature’s secret order, They evoke the invisible language of photosynthesis, infinite divine consciousness, and breath. Each stroke pulses like a chlorophyl-infused mantra – whispers of Gaia in motion – life remembering itself.

 

About Tatiana Georgieva: Tatiana is professional full time artist based in Adelaide‚ SA.  Her artworks come from a deep connection with landscape and nature. She loves to bring brighter colours and organic forms together to create a vibrant positive energy on the canvas. Her art is created to transform the space where it will live into a rewarding feature. She is constantly experimenting with colour combinations and texture, often inspired by sacred geometry.  You will see her artworks evolve slightly from one style to another, not by accident but rather driven by a desire to explore the relationship between natural environment and human perception. She uses eco-friendly non-toxic professional acrylic paints and sometimes oil. All her artworks are protected with a good coat of varnish. She gained her University degree in Visual Arts in 2001. Since then, over hundreds of original artworks found collector’s homes Worldwide.

 

Sandra DuMont

 

19 Earthly Eruptions Pit fired clay $ 550.00

20 Moon Shot Pit fired clay $ 800.00

52 Eruption Pit fired clay $ 110.00

53 Pit Fired Pot 1 Pit fired clay $ 65.00

54 Pit Fired Pot 3 Pit fired clay $ 75.00

55 Pit Fired Pot 2 Pit fired clay $ 75.00

About Sandra DuMont & the art: I am a ceramic artist based in South Australia. My love for pit fired ceramics stems from my deep connection with the earth and its elements. I create unique pieces that are a representation of the power of fire and the raw, natural beauty of clay. Each piece reflects the unpredictable yet harmonious relationship between earth and fire. Through this process, I aim to capture a sense of timelessness in my work, reminding us of our own connection to the earth and all its wonders.

Jojo Spook

 

21 Katia Thanda – Lake Eyre – Goyder Channel Watercolour/freeform sewn $ 220.00

22 Katia Thanda – Lake Eyre – Kalamurina Watercolour/freeform sewn $ 220.00

23 Katia Thanda-Lake Eyre – The Neales Delta Watercolour/freeform sewn $ 220.00

24 Katia Thanda – Lake Eyre – Ribbons of Life – Warburton Creek Watercolour/freeform sewn $ 220.00

My work explores the Australian landscape from an aerial perspective, drawn from observations made while travelling in a small aircraft over Lake Eyre in South Australia. Working primarily with watercolours on paper, I build textured surfaces through freeform stitching and layered mark-making, allowing the material to echo the land’s own ruptures and sedimented histories.

Seen from above, the earth reveals crevices, winding watercourses, and fractured riverbeds—traces of movement shaped by cycles of flood and prolonged drought. These forms become both subject and structure

within the work. The stitched lines and washed pigments reference erosion, containment, and repair, reflecting the fragile balance between water and land.

The works respond to the ongoing drought crisis in Australia while acknowledging the deep time embedded in the terrain. Rather than depicting a specific location, the landscapes operate as interpretations—maps of memory, absence, and resilience—inviting viewers to consider the land not as a static surface, but as a living

archive marked by years of environmental change.

About Jojo Spook: JoJo Spook is a Nationally recognized artist born on the Mornington Peninsula, Victoria residing in Robe, South Australia. JoJo is versatile in her use of mediums, including painting, welded metal sculpture, use of found objects and the manipulation of Ghostnets. JoJo has held over 60 solo shows and been selected for various exhibitions and received art prizes across the country. JoJo has many accolades under her belt including the completion of a Bachelor of Fine Art, Bachelor of Craft, Diploma of Education, and a Master of Visual Arts all from Monash University in Melbourne. Other achievements include receiving the Carclew Ministry of Arts award, Southern Ocean Art Prize, Kelpie Art Prize, Balnaves Sculpture Prize, Brand SA finalist and winner and the National Inspirational Education Teachers Award for her contribution to Arts Education ranking 13th in Australia. JoJo was included in the Contemporary Artists of Australia coffee table book and other publications and has made guest appearances on Coxy’s Big Break, Channel 31 Arts and the ABC.

 

Ashleigh Anne Bruza

 

26 On the spiritual plane Acrylic on canvas $ 450.00

27 Tides Acrylic on canvas $ 450.00

28 Aurora Gathering Acrylic on canvas $ 450.00

This small collection of three pieces explores a First Nations perspective on the deep relationship between the universe, nature, and the knowledge systems that have guided Aboriginal and Torres Strait Islander peoples for thousands of years. Each work highlights how the stars, land, and environment are used together for storytelling, navigation, cultural practice, and connection to Country.

The pieces also represent my own interpretation of the cultural significance held within the universe and the land. They reflect how ancestral knowledge continues to influence and guide First Nations peoples today, maintaining strong ties to identity, tradition, and community. Through this collection, I aim to honour the connection between people, sky, and Country, and acknowledge how these relationships remain central in a modern world. The works celebrate the resilience and wisdom passed through generations and the ongoing strength of First Nations culture.

About Ashleigh Anne Bruza: Ashleigh Anne Bruza is a proud Wirangu/Kokatha woman and the emerging Aboriginal artist behind Ashleigh Anne Art. Originally from Port Lincoln, South Australia, she now lives and practices on Kaurna Country in Adelaide, South Australia.

A self‑taught multidisciplinary artist, Ashleigh’s work is shaped by her strong connection to culture, Country, and community. Her practice spans a range of mediums including acrylic painting, digital illustration, jewellery making, printmaking, and drawing. Through these forms, she explores themes of identity, belonging, and cultural continuity, while continuing to expand her technical skills and creative approach.

Ashleigh’s developing body of work reflects both contemporary expression and cultural grounding, offering insight into her lived experiences and heritage. Her evolving practice highlights her commitment to sharing stories and perspectives through visual art. An online portfolio is currently in development. For updates and new works, Ashleigh can be found on Instagram and Facebook under ashleighanne.artist.

Adrian Mitton

 

29 The Eternal Forest -1 to 12 Ceramics & dried foliage $ 120 each

90 Peppercorn Pot Ceramics $ 150.00

91 Geranium Pot Ceramics $ 400.00

92 Garden Pot Ceramics $ 250.00

93 Ash Tree Pot Ceramics $ 250.00

The Eternal Forest draws inspiration from the plant Pinus Radiata and its complicated relationship to divinity and humanity. From ancient times to the present day, pine has been used as a representation of life, longevity, and surviving the long dark. Along with holly, ivy, and other evergreens, they are brought out of the forest and into the house during the dead of wintertime to instil joy and life into the household. Floriographically, pine represents ideas of immortality. Conversely, Pinus Radiata is a common lumber tree. Its straight trunk grows quickly and reliably, making it a cheap, common wood that is used primarily in construction and other commercial applications. It holds within itself a duality of divinity and mundanity, a meeting of the spiritual and human worlds.

The vessels that make up The Eternal Forest are an abstraction of the proportions of Pinus Radiata, with the glazed and unglazed sections representing its duality and their rings the cycles of nature. Like a forest, the pots share the same characteristics; however, no two are alike. The flowers chosen to accompany the pine enhance the ideas of The Eternal Forest, themselves representing being present and aware in the current moment.

Window Display – Gallery One Baked from South Australian soil, these practical pickling and storage pots are a physical embodiment of our environment. Their burnt orange terracotta is mined locally, and the botanic decoration is imprinted directly from some of the many introduced plants that are common around Adelaide. The shape and style take inspiration from both Korean and Japanese pottery traditions, and the ways in which the meetings of their two cultures changed and evolved ceramic technique. These pots are a visual metaphor for the ways in which both people and nature adapt to the soil in which they are planted.

About Adrian Mitton: Adrian Mitton is a South Australian, queer, emerging visual artist who explores ideas of ephemerality and immutability through the mediums of ceramics and floristry. His practice focuses on historical analysis of the relationships between pottery, plants, and people, using them to guide his creative decisions and provide insight into contemporary issues. In the technically expansive medium of ceramic, he is particularly interested in form and glaze and how they interact. Narrative and storytelling play a key role in his work as he transforms transitory stories and ideas into permanent ceramic objects.

 

 

 

 

 

Monika Andrew Poray

 

30 Tulip Negrita Watercolour on Brown Paper $ 250.00

31 Tulip Gerrit Van Der Valk Watercolour on Brown Paper $ 220.00

32 Tulip Panama Watercolour on Brown Paper $ 250.00

About Monika Andrew Poray and art: Monika Poray is a Melbourne based artist whose practice centres on a concept called Geodesia—an artistic exploration of natural geometries expressed through an aesthetic visual language. Her work portrays mathematical patterns and geometric structures found in both plant life and human anatomy, with a particular focus on the Golden Ratio and Fibonacci Sequence. Currently, Monika is exploring spiral formations—precise mathematical curves found throughout nature—as a metaphor for organic growth, offer an illuminating interpretation of nature.

While Geodesia remains central to her practice, Monika occasionally explores other thematic territories, revealing another dimension of her artistic voice. These occasional departures allow her to respond intuitively to life events and broader cultural conversations, while still maintaining a cohesive and thoughtful approach to form and symbolism.

Alongside her Geodesia practice, Monika also engages in basket weaving, life drawing, and traditional media including charcoal, ink, pencil, and watercolour and oil painting—skills she has also shared through teaching. Her work has been exhibited in numerous solo and group exhibitions both in Australia and internationally, and she has also curated community-based exhibitions.

Matt Zonca

 

33 The Magic of Being a Wren Acrylic, ink, pencil $ 500.00

34 Swallow Rising Light Lamp collage with acrylic, ink, pencil, found objects $ 400.00

35 Whale and Boat Acrylic, ink, pencil $ 500.00

36 Magpie and Dandelions Acrylic, ink, pencil, feather $ 500.00

Henry David Thoreau, transcendentalist writer, philosopher, and activist, once wrote, “All good things are wild and free.” This phrase captures what I aim to convey in this small body of work: that nature encourages us to throw off the shackles of life and release whatever troubles us. It invites us to immerse ourselves in the experience of trampling the rough ground beneath our feet, gazing at the expansive skies above, feeling the rush of the seas, all while embracing such matters.

Nature and its connection to what lies beyond can manifest as a magpie hopping among the grass, gums, and dandelions, a wren pausing momentarily before taking flight, a swallow rising gracefully, or a whale playfully surfacing near a boat in the deepest ocean.

With light reaching the ether, nature endures.

About Matt Zonca: Matt is a multifaceted artist whose work has been exhibited in Australia and England. Working across pinhole photography, drawing, painting, and sculpture, his practice moves between material and immaterial worlds.

Attuned to the rhythms of nature, Matt explores the quiet spiritual connections that bind us to the earth and the cosmos: Through the elemental forces of air, water, earth, and fire, his work invites contemplation— of movement and stillness,

…of presence and impermanence…and of our place within a living universe.

Wenjuan Yang

 

38 Pond Oil on canvas $ 650.002

74 Wen Juan Yang Water Lilly Pond Oil on canvas $ 650.00

 

About Wenjuan Yang & the art: Born in Chengdu, Sichuan Province, CHINA, Juan has lived in Adelaide for almost 10 years now. Her respect for nature and the Buddhist philosophy has motivate her to reflect her vision of what she sees on the many long road trips she has undertaken around Australia. Totally self-taught, she enjoys nothing more than sitting in the garden creating beautiful paintings.

Zoe Klochowicz

 

39 Listening Acrylic paint on Canvas $ 350.00

40 Softening Acrylic paint on Canvas $ 350.00

41 Connection Acrylic paint on Canvas $ 350.00

This work emerges from deep listening in nature. At Marino Conservation Park on Kaurna Yerta, I listen — to wind coming across the gulf, rustling through Casuarina and through grasses. I settle into presence. Through seeing these sounds as colours, I transcribe the moments: visually exploring the feeling of unity and connection when we are present with the natural world.

About Zoe Klochowicz: Zoe Klochowicz is a visual artist based on Kaurna Country (Adelaide). Her practice explores the translation of sound and moments.  This process is shaped by her synaesthesia, through which she experiences music as immersive layers of colour, shape and texture.

When painting, Zoe works in a state of surrender by grounding into the present, following threads of sound onto canvas. Whether responding to live music or the rustle of gum trees overhead in nature, she seeks the deep calm and presence that comes from truly listening, and being, in place.

With a background in visual arts and a PhD in green chemistry, she sees both paths as inquiries into the nature of the world through understanding complex systems and making the invisible visible. She currently works in climate policy and data visualisation, bringing the same curiosity to communicating how things connect.

Her hope is that viewers feel a sense of resonance with themselves, with each other, with something greater.

Ebony & Ivory Creations (Donna McHughes & Joyleen Davidson)

 

42 Reassembling My Cultures Gemstones, fresh/saltwater pearls, silvers, bead & more Prices list at Front Desk

51 Reassembling My Cultures Gemstones, fresh/saltwater pearls, silvers, bead & more Prices list at Front Desk

Bringing together elements from my Ngarrindjeri land (The Coorong) along with my Mother’s Scottish heritage.

Where Freshwaters meet Saltwaters. we are able to create uniqueness and stronger harmonies, through our connection of the waters and earth elements.

About Ebony & Ivory Creations (Donna McHughes & Joyleen Davidson): Is a mother & daughter team creating a variety of wonderful handmade designs. Where two cultures meet…Like the Freshwater meets Saltwater…

Of the Coorong…Ngarrindjeri…Is DNA.

Althea Mallee

 

45 Envisioning Green Tara Oil on canvas board NFS

46 Home Acrylic on canvas NFS

56 Madre Acrylic on canvas board $ 250.00

Envisioning Green Tara Mother we call you, …Deep inside the womb of Gaia, …Holding us here in your remembrance, …Nourishing our lives with your untamed abundance, …May we cherish you selflessly and give back to your creation.

Home Aeons of cultural identities birthed from the sea….Scattered ancestral memories across the fields of time….My roots dig deep within to uncover a home centred at the source.

Madre She is a presence both unshaken and becoming, rising with veins of the earth and sky flowing through her limbs. Below, unseen threads gather, feeding what grows and what fades. In her mothering form, a memory stirs, of where we have come from, and where we must return.

About Althea Mallee: Based in South Australia, Althea Mallee is a international Australian artist specialising in large-scale

murals and fine art. Her works brings vibrant storytelling to public spaces, blending cultural heritage, nature, and

mythology with modern global themes. Althea’s works celebrate multiculturalism and inspire connection to breathe life into shared spaces, dissolving the illusion of separateness in which she believes conflicts arise.

With a signature style that balances hyperrealism and artistic symbolism, every brushstroke transforms canvases and walls into windows, offering glimpses into utopian worlds of art and harmony. Showcased globally in galleries, private collections, and public arenas, her art is both impactful and enduring.

Romina Ienco

 

47 Tree of life –The journey of the soul Acrylic Oil and gold leaf on Wood panel $ 1,800.00

49 Gaia Acrylic on canvas board $ 220.00

66 L’alma qe vuela Acrylic, oil and gold leaf $ 575.00

Tree of life My tree of life was entirely painted listening to its frequency music and meditating. The woman in

the tree symbolize the portal from the spiritual world to the material world..literally. Every sefirot of the Kabbalah is aligned with her charkras .The eagle on the branches represents the intersection of the heavens, wisdom and cosmic order( Norse symbolism). The stag symbolizes the guide between the physical and ‘otherworld” (Celtic Symbolism) and is associated with regeneration (death and rebirth). The cat at the base is my cat Falkor and represents the guardian of spiritual beings, intuition and luck. I do believe Falkor is truly my guardian as it saved me from a shot circuit while I was asleep when he was a kitten my waking me up with his loud meow from his crate.

Gaia, the goddess of every element and life in the Universe. She came to me while I was working on a project about the elements of earth, water and Fire. She is painted over 3 post card size canvas board and then framed with oak wood. She comes down carrying water with her arms and sparking the fire of life on the planet from her legs, revealing what

was already in the Ether, Earth.

L’alma qe vuela The eagle is a symbol of connection between the heaves and the cosmic wisdom and order. In the

kabbalah Tifereth, the 6 th sefirot is this interconnection. I saw the image of the eagle as if it was my

soul on its way of reincarnating in this school of life called Earth.

About Romina Ienco: “My work is a celebration of life, the beauty that surrounds us. And the spiritual in nature and within us. Remembering and describing who we are and the love that connects us all with a brush.” Romina Ienco is an emerging artist based in Adelaide and originally from Italy. She studied at the school of arts and trades in Rome in 2008 then moved to Australia in 2010. After 12 years break to settle her life down under she finally got back to her true love that is Art.

She has taken some courses at the Splashout art studios here in Adelaide and currently she is an artist in residence at The Mill art studios collective in Adelaide. She has been also involved in the latest SALA festival exhibiting at the Cherry bomb café’ in Ashton with WOW- Women of wonder. Her work has featured in Rome, France (private collection), Israel, Australia, exhibiting at Gallery M, Splashout gallery, pepper street art gallery and art shows around Adelaide including the Walkerville , Blackwood and Victorharbour art shows between 2022 and 2024, The art of Storytelling (Fringe 2025) and the Clare valley art prize in 2025. She has been rewarded the third art prize at the Royal Adelaide Show (2024) and the third art prize at the Glenside art show (2024).

She uses her art to overcome challenges in life continuously inspired by the beauty that surrounds her and turning inward to achieve a personal and spiritual growth. When she is not behind the easel she works as veterinary nurse .You can find her work on Instagram Mimisart.2 or facebook account Mimisart.2

Emma Moss

 

48 Gaia Acrylic on canvas $ 500.00

72 Coopers Hawk Pastel on paper $ 395.00

73 Peace Dove Pastel on paper $ 395.00

My art draws on my love of animals, nature and my understanding of sacred that is all living things. When I draw or paint nature, I am reminded that we are part of a much larger living super network, which works in harmony to sustain all life. Every animal has an important role to play in maintaining ecosystems and has a special message for humanity.

Gaia: Earth Mother is the earth personified as a female goddess. She is in perpetual state of birth and rebirth which is why her leaves are mostly green while some have hints of orange and red which represents the changing seasons from autumn, winter, spring and summer.

Hawk: Transformation The hawk symbolizes power, wisdom, and spiritual guidance, urging individuals to trust their instincts and embrace transformation.

Dove: Peace The dove symbolizes peace, love, and spiritual connection, serving as a messenger between the earthly and divine realms. I drew the dove encircled in two circles, the larger circle represents the earthly realm (turquoise and green hues) and the golden circles behind the dove represents the dimensions beyond the earthly realms to which we are always connected and help guide us while we are here.

About Emma Moss:

Emma Moss is a South Australian multi-disciplinary artist with over 20 years of professional practice across painting, illustration, and design. Formally trained with a degree in Visual Communication and a Certificate IV in Visual Arts, she works fluidly across drawing, mixed media, gouache, acrylic, and oils, allowing the medium to respond intuitively to her emotional or conceptual focus. Raised by two artist parents, early immersion in art and music deeply shaped her visual language and way of seeing the world.

A lifelong observer of form, texture and colour, and inspired by nature, science, and metaphysics, Emma is known for expressive depictions of animals and people. She is drawn to capturing character, intelligence, and quiet communication beyond words, often giving animals a strong narrative presence. Portraiture is central to her practice, where close attention to the eyes and expression explores identity and lived experience. Living with a physical disability, art has long been a space of resilience, focus, and contemplation.

Emma exhibits locally, interstate, and internationally. In 2025, she exhibited in Spain’s Metro Expo and received Honourable Mention Awards in the 13th Open International Juried Teravarna Exhibition and the 12th Portrait International Juried Art Competition in Los Angeles. She also accepts commissions.

Dianne Carver

 

60 Lotus Ascension (Ocean Healing) Acrylic and Mixed Media $ 450.00

61 Blue Dreamscape (Garden of Creation) Collage, Acrylic and Mixed Media $ 450.00

71 Conscious Awakening (A Divine Union) Acrylic and Mixed Media $ 530.00

 

Everything is connected, through earth, water, and air, though our senses and vibration, and the charged particles that unite everything …Existence is revealed in layers of density – Physical, Astral, Etheric, and the unseen realms that quietly underpin the grand design of creation.  What if we already engage with these layers of reality?…What if we unknowingly, sense and interact with them? What if we opened our senses and consciousness further — visually, mindfully, and energetically?…This is the essence of what I seek to share through my art.

My work is an invitation not only to observe, but to enter an experience, of expressions of a mystical creative dance, that merges inner and outer worlds, and the space beyond. Each work becomes a meeting point, offering an experience of alignment in harmony with that creative, conscious intelligence. Weaving my story through my artworks, of nature spirits, orbs of light, dream-realms, mindscapes, and subtle portals, my work expresses a oneness of earth, cosmic, and universal presence — where nature becomes supernatural and transcends into the sublime, and we remember ourselves as vibrating participants within a shared field of Divine Being.

About Dianne Carver: From the Early days of Oil painting scenery in the 80’s, to visions of interdimensional and alternate realities in the 90’s, needless to say, my paintings became very personal. After I discovered acrylics my adventures and exploration of various mediums and texture grew, taking me in another direction. And even more recently working with resin and plaster, coffee and sand etc. has allowed me to express my passion for bringing to light the wonderful images that traverse my mind endlessly. The playful progression continues. I am always eager to start the next painting to see where my Divine Messengers decide to take me. I have exhibited in many areas, from Aldgate and The Hahndorf Academy, Langhorne Creek and Murray Bridge, Glenelg Art Gallery, and Circle of Art Collective, are among a few. Yet my greatest joy is witnessing the connection of the purchaser to the art. That is magnetic! The pleasure I get from hearing how the artwork brings new energy and harmonious vibe to their home or office is a bonus.

Annie Cousins

 

64 Flinders 1 Dusk Acrylic on canvas $ 950.00

65 Flinders 2 Mid Day Acrylic on canvas $ 800.00

About Annie Cousins & the art: My relationship to landscape is an enduring love affair. Just being in the landscape, moving through it, or standing motionless in awe, evokes a sense of continuity and a feeling of interconnectedness, that can ripple, wave, ignite or flow. The inner and outer landscape are indistinguishable, as a moving, changing and adapting presence.

Whether directly painting ‘plein air’, or from memory, or for a commission, I let the density and gravity of paint speak for itself, without too much concern or control. Working quickly in acrylic allows a sudden change of direction, a flash of light, or a deepening tone, without being anchored by a neatly defined outcome. Whether I like the painting or not, is

of less concern, than how it makes me feel. Painting is a response rather than a statement – it is just a single moment in time.

Rebecca Calabro

 

68 The Peace of Presence Hand drawn/digital art printed on metallic photo paper $ 220.00

69 Clarity in a Changing World Hand drawn/digital art printed on metallic photo paper $ 220.00

70 Co-Creation Hand drawn/digital art printed on metallic photo paper $ 220.00

These light codes are intended as portals for reflection and stillness, opening a space for viewers to attune to their inner landscape and to receive the energetic transference that flows through each image. The combination of geometry, colour and light language inspires contemplation beyond the rational mind and into felt experience, awakening something from deep within.

Initially hand drawn and later digitalised, they emerged as transmissions of consciousness while in attunement with the exhibition theme and the spiritual essence that flows through all forms of life. They hold a message of guidance and remembrance, inviting a more conscious relationship not only with ourselves, but with the living systems and cosmic intelligence we are inseparable from.

 

About Rebecca Calabro: Rebecca’s art is an expression of her collaborative relationship with cosmic beings. As a child, she was fascinated with planets, stars and geometry, though it was a spontaneous spiritual awakening during a health crisis in 2002 that rekindled this connection and brought forward an untapped creative resource.

What began as automatic writing in the form of light language, soon developed into a more conscious relationship with beings from multiple star systems. Through meditative states she was shown dynamic light geometries along with symbols that felt encoded with information, all of which resonated within her body and subtle energy system. These transmissions facilitated her remembrance, healing and an expanded view of reality. She was then guided to draw these codes, infusing whatever came through with these transformative energies.

After sitting with this for a few years, Rebecca began sharing her creations in 2007 and was soon receiving requests for custom channelled designs from people all over the world. She then felt called to explore other avenues of creative expression which have come to include hand drawn and digital light codes, abstract art, live soundscapes and attunements, all inspired by these ongoing transmissions.

Marceena Jack

 

75 Honey Ants Acrylic on canvas $ 350.00

In Aboriginal culture, the women gather, the men hunt, and food is shared across the community. Women go on gathering trips together to collect seasonal wild foods and bush medicines. Honey Ants are a sweet treat, enjoyed on the journey as a snack or with family for dessert. The woman will go out looking for the honey ants nest, a much enjoyed bush desert. The ladies go to an area in a group and spread out to sit and dig in possible nest sites. This is shown by the blue circles, connected by tracks.

Once the paths to the nest is found, they dig down with their sticks and as the ants run up the stick they are swept into the coolamon and are ready to eat the big sack of honey they have on their backs. The coloured circles in the painting show the sites the ladies have searched in the surrounding desert sands. The skills of “living off the land” have been passed down for thousands of years and are just as important today.

Iniji Windless

 

76 Minyma Mavlilu Acrylic on canvas $ 350.00

Cameron Potts

 

78 The Theropod Dome Acrylic, pencil, pen and glitter studs $ 5,000.00

Consider the journey of stars: colossal bodies of fire illuminating the cosmos, destined to burn out and collapse, only to scatter their essence and seed the birth of new stars, planets, and life. This cosmic shift is a reminder that nothing remains static. Change—sometimes violent, sometimes gentle—is necessary for regeneration, for new beginnings.

Similarly, we witness impermanence in simpler, everyday moments. Leaves detach from their branches and fall, decomposing to enrich the soil, ensuring the nourishment of future generations of plants. Snow peas drop to the earth, continuing the cycle of life. Even the snowflake, unique and delicate, melts to become part of a river, contributing to a greater whole.

To accept impermanence is to embrace the essence of awareness, consciousness, and spirituality. It is a humbling realisation that our experiences, identities, and even our physical forms are temporary. Like the dinosaur embedded in hard soil, transformed over eons into an ornament on a desk, our own stories are fleeting chapters in a much larger narrative.

We pass on, shed our former selves, and regenerate in countless ways—personally and collectively. The acceptance of this reality opens the door to deeper understanding and compassion, reminding us to cherish moments as they come and go. The long breath of universal consciousness is sustained by endless cycles of change.

About Cameron Potts: Born in Perth in 1971, Cameron Potts is a visual artist and musician. His paintings are carefully composed, from the minutedetail of plants and insects coupled with the wider cosmos to illustrate there is no separation between the micro and the macro. It is all one connected existence. Relishing the craft of creating a visual narrative with a singular static image, he brings interplay between the contemplative space and ornate detail.

Cameron is also musician who has toured would wide with various music projects and bands. He has played drums with Regurgitator, Nick Allbrook (TameImpala/Pond) Baseball, Ninetynine and Japanese avant-garde group, The Boredoms. He continues his music with new projects.

He began drawing again after many years of touring and was selected as a finalist in the John Sulman prize in 2014.

Gallery representation followed in 2015 after another finalist spot was secured for the Sulman prize with M-Contemporary gallery in Sydney. He was invited to exhibit at the Sydney Contemporary fair at Carriageworks and further undertook an artist residency invitation in Kochin, Kerala state, India. He painted Kevin Parker of Tame Impala for the 2019 Archibald. A move to Fremantle, WA for five years saw him exhibit further shows both in the west and east with two showings at the Salon Des Refuses in Sydney and Wollongong art gallery. He has recently moved back to Melbourne and is preparing for new major works and a second solo show.

Andrew Barr

 

79 Gum Tree on Coopers Creek Acrylic on canvas $ 400.00

83 Starry Night in Flinders Oil on Canvas $ 300.00

86 Flinders Foliage Study Oil on Board $ 200.00

When I came to Australia, I was amazed at how different the landscape was. It is my love of art that drives me to create paintings of this unusual landscape. I create something new that express my feelings about the place rather than a photograph.

 

About Andrew Barr: The Australian artist Andrew Barr is a landscape painter and scientist, capturing scenes from remote areas all around South Australia. He records the fast-disappearing images found in nature on his canvases. He belongs to a volunteer organisation called the Scientific Expedition Group (SEG) that does biological surveys for the South Australian Database. During these surveys he sketches and photographs rare plants, animals and geology.

Lorry Wedding-Marchioro

 

80 Everything and Nothing, 2025 Mild steel, dichroic Perspex, braided line, Automotive paint POA

About Lorry Wedding-Marchioro and the art: Lorry Wedding-Marchioro lives and works on a property surrounded by nature in the Adelaide Hills. As a sculptor she is interested in delving into the complexities of how we perceive and experience the reality around us. For many years scientific theories and philosophical ponderings surrounding Quantum Mechanics have proven to be inspiration for her work, of particular is the Observer effect and the way each viewer brings their own subjective experience into play to perceive their own unique view of the world. Using this premise, Wedding-Marchioro creates sculpture which embraces ephemeral phenomenon, light, shadow, reflection and refraction as well as ambient air movement to make the sculpture kinetic. Her intention is to encourage the viewer to become aware of all the subtle and interesting things which often go unnoticed so that they may bring that knowledge into a new perception of their surroundings in their everyday life.

Currently she is undertaking a PH.D at the University of South Australia, exploring topics related to space, time and the Fourth Dimension. Her practice encompasses Public Art, installation and exhibition pieces, and can be found in collections throughout Australia, Hong Kong and Singapore.

 

Andrew Moseley

 

82 In the Heart of Things Video loop (duration: 2:16 min) NFS

The video is a meditation piece. Things appear to be so outwardly managed, affected by processes and influences of the day. Nature appears so ordinated. Its structure and method to form and perform in its habitat.

I found a question to go into the interior of things, the ‘heart of things’, to know that not only was nature ‘outwardly’ revealing profound structure, design, and method, but it was necessary to meditate deeply into its interior programming. This is expressed as a mediation.

Fields of interlacing golden geometric code is much like source code. And I find when we see into the ‘heart of things’ we see into the ‘heart of the universe’ from beginning to end, an intelligent blueprint, a schematic. Blueprints interlacing, instructing, the way, always producing what it should in the material world. And no doubt the human body and the brain.

We work as programmers, geometric projectors that alter events in large scale or minute scale, we call for rain, we call for love, healing, universality. If harmony works, if the Tao flows, then source code illuminates further. Perhaps, in the human world we can tap into source, illuminate, empower, and wonder in the reality ‘what is the highest frequency possible to exist in. The possibilities are endless. The geometries are living.

So really when you are looking into the video, you are quickly meditating into your mirror, into your core, your heart of things. The mirror becomes alive, you are the unknown part of the equation, maybe a spiral of light, maybe a potential golden pyramid, maybe an awaiting code or geometric form, awaiting and influencing the next new phase of consciousness evolution.

The video shows the first phase which works in directions of space that it can manage in this system, like in this world. It would be outstanding to realize the state of what these fields, geometries and codes would appear as or be in within higher dimensions.

About Andrew Moseley:

Andrew is a South African–born artist and arts educator based in Johannesburg. A published children’s book illustrator, he works across a wide range of visual art forms, including drawing, painting, mixed media, sound, and video. His multidisciplinary practice reflects both a playful curiosity and a deep commitment to creative exploration.

Rooted in a lifelong fascination with the divine, Andrew draws inspiration from ancient sacred scriptures and mystical traditions from around the world. His work is a contemplative enquiry into the soul-spirits’s journey — a movement toward remembering, reconnecting, and returning to its unified spirit. Through his art, he seeks to express the ineffable mystery at the heart of human existence, inviting viewers into spaces of reflection, wonder, and inner awakening.

As an educator, Andrew brings this same sense of inquiry and reverence for creativity into the classroom, nurturing imagination and encouraging others to explore their own artistic paths and their capacity for co‑creation with the cosmos.

Rhys Sheperd

 

84 Fern In The Gondwanan Photographic digital print $ 250.00

85 Ancient Tarkine Coastline Photographic digital print $ 250.00

Fern In The Gondwanan Amidst the fern’s quiet growth, I touch a deeper sense of being. The Tarkine’s living patterns echo my own – a reminder to breathe, notice, and connect with the pulse of life around us. In the fern’s delicate balance, I find harmony. This photograph is a reminder of nature’s intricate beauty and our responsibility to preserve it. The Tarkine’s rainforest nourishes my soul and inspires reverence.

The fern’s intricate patterns and textures transport me to a place of tranquility. This image embodies the Tarkine’s quiet wisdom, reminding me to slow down and appreciate the beauty around us. Among ferns that breathe the same air, I find echoes of a shared consciousness. ‘I am one’ with this forest – a moment of unity where boundaries blur, and the song of life sings through all.”

Ancient Tarkine Coastline This photograph captures the raw power of the Tarkine’s billion-year-old coastline, evoking a sense of awe and connection to the ancient forces that shaped our planet. Standing before this landscape, I’m reminded of nature’s majesty and our place within it.  The Tarkine’s wild coast speaks to my spirit, echoing the untamed and the infinite. This image is a window to the timeless beauty that inspires and humbles me.

In the Tarkine’s ancient heartbeat, I find connection – a reminder that we’re part of something vast and timeless. This landscape awakens my awareness of the present, grounding me in the raw beauty of existence.

About Rhys Sheperd: Rhys was born in Naracoorte, South Australia, in 1966. Rhys studied at Prince Alfred College and went on to achieve a Bachelor of Arts in Fine Art/ Visual Art at Uni SA in 1987. Rhys has received accolades and won awards in State and National photographic exhibitions. He has a passion for nature, landscapes, and exploration, spending most of his youth living at Skye in the Adelaide foothills. He would photograph walking trail explorations around the falls at Morialta and the Flinders Ranges. He has had many opportunities during his working life filming documentaries experiencing many amazing landscapes in Australia, photographing regions such as Lake Eyre in flood and crossing the Simpson Desert from Alice Springs to Birdsville by camel. As Director and Cinematographer of the documentary ‘Tarkine Together’ filmed in Tasmania’s Northwest, the film garnered 53 International Film Festival awards as well as 14 other Final Selections over the past few years.

Rhys shoots primarily on film, as well as photographing landscapes in single exposures he uses astrophotography/ cinematography and time-lapse exposures to produce his pieces. He has worked on around 40 Documentaries and commercial ventures including the Australian Broadcasting Corporation, Canal +, ‘Our World’ – Nine Network Australia the Discovery Channel, and others. His passion for nature and discovery has taken him to many destinations in the world in pursuit of knowledge, beauty and a unique perspective of life in the world through photography. The documentations he has made of his explorations have made him realise that any moment in time can be fleeting. Landscapes can change and a view you could take for granted can be altered or even lost forever. Each moment is rare and through photography can be captured to transcend time.

 

Sacred Resonance – (Darren Curtis & Bradley Pitt)

Project SuperNature – (Kenneth Scott & Bradley Pitt)

 

87 A Symphony of the Stars Video, duration 4:30min NFS

A vineyard at night is a Celestial Garden. Wandering tendrils and tall trees search for the stars. They seem to touch, connecting the heavens and earth. We are all Gardeners of an expansive reality.

It was a warm sunny evening in the height of summer. Location: Moorooroo Park Vineyards in the Barossa Valley. Sacred Resonance placed their instruments in the vineyard and worked their magic.

They recorded each time a type of subatomic particle called a muon hit the ground near them. These come from outer space, being produced when cosmic rays collide with other particles in the Earth’s atmosphere. Using software, the data was turned into music, creating ‘music of the stars.

They also attached sensors to some of the leaves in the vineyard. These measure the slight electricity being produced in the leaf, which does change due to things like water content in the leaf.

Again, with software, this data was turned into music. The plants were given a voice and became musicians.

With both muons and musical vines together, the result was a botanical symphony of the stars.

About the artists:

Sacred Resonance are music producers, composers, sound artists & spiritual educators for the past 20 years. They develop immersive experiences and multi-media sound installations, unique forms of experimental and meditative music, merging art and consciousness. They have crafted many sacred music albums, numerous sound meditations, compilations, collaborators, and produced international award-winning multimedia films. Their work & teaching involves the latest discoveries in musicology, archaeoacoustics, brain-body entrainment with the consciousness sciences merging science and spirituality.

They also specialise in the interaction of technology and consciousness via data sonification, making the invisible world become visible. They perform sound baths and sound installations at festivals and events around Australia, Europe and USA. Their spiritual outreach work is also as teachers and coordinators with the Academy for Future Science Australia.

Project SuperNature research and showcase the Higher significance of spiritual sites, earth energy grids and ancient landscapes around the world.

Bundy Bannerman

 

88 Bundy Bannerman Double Phantom Rain Acrylics on canvas $ 1,200.00

89 Bundy Bannerman Gawler Rangers pot of gold Acrylics on canvas $ 1,200.00

 

About Bundy Bannerman: Bundy grew up in the outback and these experiences continue to inform his artworks. Art came to him late in life after ill-health, and has helped him to heal. An outsider artist, Bundy works explores outback life, mental health and themes of acceptance. In 2023 Bundy was a finalist in the SALA Advertiser Contemporary Art Prize.